Afro-Olmecs Came from the Mende Regions of West Africa
“Although archeologists have used the name “Olmec,” to refer to the Black builders of ancient Mexico’s first civilizations, recent discoveries have proven that these Afro-Olmecs were West Africans of the Mende language and cultural group. Inscriptions found on ancient monuments in parts of Mexico show that the script used by the ancient Olmecs was identical to that used by the ancient and modern Mende-speaking peoples of West Africa. Racially, the collosal stone heads are identical in features to West Africans and the language deciphered on Olmec monuments is identical to the Mende language of West Africa, (see Clyde A. Winters) on the internet.
The term “Olmec” was first used by archeologists since the giant stone heads with the features of West African Negritic people were found in a part of Mexico with an abundance of rubber trees. The Maya word for rubber was “olli, and so the name “Olmec,” was used to label the Africoid Negritic people represented in the faces of the stone heads and found on hundreds of terracotta figurines throughout the region.
Yet, due to the scientific work done by deciphers and linguists, it has been found out that the ancient Blacks of Mexico know as Olmecs, called themselves the Xi People (She People). Apart from the giant stone heads of basalt, hundreds of terracotta figurines and heads of people of Negritic African racial reatures have also been found over the past hundred years in Mexico and other parts of Meso-America as well as the ancient Black-owned lands of the Southern U.S. (Washitaw Proper,(Texas, Louisiana, Mississippi, Oklahoma, Arkansas), South America’s Saint Agustin Culture in the nation of Colombia, Costa Rica, and other areas) the “Louisiana Purchase,”lands, the south-eastern kingdom of the Black Jamassee, and other places including Haiti, see the magazine Ancient American).
Various cultural clues and traces unique to Africa as well as the living descendants of prehistoric and ancient African migrants to the Americas continue to exist to this very day. The Washitaw Nation of Louisiana is one such group (see www.Hotep.org), the Garifuna or Black Caribs of the Caribbean and Central America is another, the descendants of the Jamasse who live in Georgia and the surrounding states is another group. There are also others such as the Black Californian of Queen Calafia fame (the Black Amazon Queen mentioned in the book Journey to Esplandian, by Ordonez de Montalvo during the mid 1500’s).
Cultural artefacts which connect the ancient Blacks of the Americas with Africa are many. Some of these similarities can be seen in the stone and terracotta works of the ancient Blacks of the Americas. For example, the African hairline is clearly visible in some stone and terracotta works, including the use of cornrows, afro hair style, flat “mohawk” style similar to the type used in Africa, dreadlocks, braided hair and even plain kinky hair. The African hairline is clearly visible on a fine stone head from Veracruz Mexico, carved between 600 B.C. to 400 B.C., the Classic Period of Olmec civilization. That particular statuette is about twelve inches tall and the distance from the head to the chin is about 17 centemeters. Another head of about 12 inches, not only posesses Negroid features, but the hair design is authentically West African and is on display at the National Museum of Mexico. This terracotta Africoid head also wears the common disk type ear plugs common in parts of Africa even today among tribes such as the Dinka and Shilluk.
One of the most impressive pieces of evidence which show a direct link between the Black Olmec or Xi People of Mexico and West Africans is the presence of scarification marks on some Olmec terracotta sculpture. These scarification marks clearly indicate a West African Mandinka (Mende) presence in prehistoric and ancient Meso-America. Ritual scarification is still practiced in parts of Africa and among the Black peoples of the South Pacific, however the Olmec scarification marks are not of South Pacific or Melanesian Black origins, since the patterns used on ancient Olmec sculpture is still common in parts of Africa. This style of scarification tatooing is still used by the Nuba and other Sudanese African people. In fact, the face of a young girl with keloid scarification on here face is identical to the very same keloid tatoos on the face of an ancient Olmec terracotta head from ancient Mexico. Similar keloid tattoos also appear on the arms of some Sudanese and are identical to similar keloid scars on the arms of some clay figures from ancient Olmec terracotta figurines of Negroid peoples of ancient Mexico.”